Front St. Gallery’s M.C. Escher exhibit lets people ‘re-see reality’

“Escher's work teaches you how to re-see reality,” art collector and dealer Rock Walker said.

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''Regular Division of the Plane III [Horseman],'' 1957, woodcut. (Cory Sharber/WHYY)

''Regular Division of the Plane III [Horseman],'' 1957, woodcut. (Cory Sharber/WHYY)

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Over the weekend, the Front St. Gallery in Fishtown showcased original prints and works inspired by famed Dutch artist M.C. Escher.

Maurits Cornelis Escher completed 448 lithographs, woodcuts and wood engravings, and more than 2,000 drawings and sketches during his lifetime. Walker Fine Art partnered with the gallery to bring the pieces to Philadelphia for a couple of days.

Art collector and dealer Rock Walker has been acquiring Escher pieces since he was 17. Now 81, Escher’s work still has the same effect on him all these years later.

“You can look at them every day,” Walker said. “There are lots of artworks you grow tired of or you get tired of looking at. Escher grabs you and holds on to you and he leaves you with a smile.”

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Art collector and dealer Rock Walker discusses the M.C. Escher pieces on display at the Front St. Gallery in Fishtown on Nov. 12, 2023. (Cory Sharber/WHYY)

While Escher is mainly known for his popular works such as “Relativity,” he began his career by creating Italian landscapes when he lived in the country for more than a decade.

“He woke up one morning and said, ‘I can’t do this anymore,’” Walker said.

This led Escher to renounce traditional works to focus on his “impossible drawings” and “metamorphoses.”

”Regular Division of the Plane IV [Dogs],” 1957, woodcut. (Cory Sharber/WHYY)
“Escher’s work teaches you how to re-see reality,” Walker said. “Escher is smart art. It gets you to start thinking rather than having your eyes glued to an iPhone.”
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Walker hopes the Escher exhibit will bring future generations to appreciate the work that’s still out there.

“Escher did it the old-fashioned way one at a time,” Walker said. “He carved all his blocks. He drew on all his lithography stones. … I like to say that Escher danced on the head of a pen, metaphorically of course, and he was the Einstein of the art world, the bridge between art, science, [and] math.”

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